Skip to main content

Will AI Writers Hit the NY Times Bestselling List



It may seem incredible that machines that humans have to code can mimic the complex creativeness of poetry or fiction writing. However, when a group of researchers input numerous images matched with human-written descriptions and poems into a computer, it understood the algorithm associations between pictures, text, patterns of imagery, rhymes, and verbiage, and how colors and images convey emotions and metaphors. But, when the AI then wrote a poem about an image, the outcome wasn’t a brilliant piece of work at all. Its poem wasn't cohesive. It didn't make sense.

People keep trying to get AI to write creatively. But, when it comes to creative writing AI doesn’t know how to put things together.  Of course, pretty much anything is possible with ongoing advancements in technology. And, AI makes a great writer assistant by:

·      Proofreading
·      Checking for Plagiarism
·      Evaluating Content Quality
·      Scanning and Summarizing Content

Even now writing by AI is used in journalism. The Associated Press freed up about 20% of their reporters’ time while gaining ten times the output. Also, The Washington Post has its own AI tool, Heliograf, which wrote around 70 sports and political articles per month in its first year. However, humans have to oversee AI writing to provide editing and quality control. The rough drafts AI generate need revisions by humans.

AI is highly advanced at reproducing complex patterns, but creative writing requires comprehension of what those patterns mean and that is where AI falls short. Artificial Intelligence typically gets stuck and repeats phrases time and again.

Though a novella written in 2016 by AI almost won a Japanese literary competition, it wasn't written by AI alone. A team of researchers provided the gender of the characters, the plot outline, and specific words and sentences.  In a book written by an AI neural network in 2017, 1 The Road, longitude and latitude coordinates are repeated verbatim over and over. 
Artificial Intelligence wrote a sci-fi script with the same overall results, the sentences made sense when read separately but not when read together. So, without a lot of developmental editing by humans, AI creative works have no flow, plot, theme, or characters. So far, the fiction AI has authored on it's on is disjointed. 

However, we are making huge strides in Artificial Intelligence technology. Researchers calculate that in 45 years there's a 50% probability AI will surpass humans in all tasks. It's predicted that an AI authored novel will make it onto the New York Times bestseller list by 2049.

But, we just aren’t there yet. One change that will have to take place in the future, when AI reaches singularity is that copyright laws will need to be revised so any writing created by AI will be protected just like works written by human authors.
Maybe even before that humans will write novels with AI co-authors. Until then if you want to write a novel, a screenplay, or a poem you’ll have to do it yourself or hire a ghostwriter.




***

I am a ghostwriter, author of 35 published fiction books of my own, and I've ghostwritten two memoirs and one business book for clients as well as numerous blog posts and professional bios. Please visit my website http://CorneliaAmiri.com for more information. 





Comments

Popular posts from this blog

I Was An eBook Author Before eBooks Were Cool

I submitted my first book to Awe-Struck eBooks in the year 2000. I decided to go to the Predators and Editors list of publishers and submit to recommended sites only. That means the authors that wrote for them thought—the contracts were good, they paid on time, were easy to work with, knew what they were doing, etc.   
 I started at the front of the directory at A. Awe-Struck was the first on the list that was recommended and open to submissions for Historical Romances. Plus, they were interested in unusual time periods and mine was set in the dark ages, at the onset of the Saxon Wars. Awe-struck, the first publisher I submitted to, accepted my book and I signed a contract with them. The Fox Prince, later retitled The Celtic Fox, was released in January 2001. It came out in eBook format at that time and in print later that year.  
 The eBook could be downloaded anytime, anyplace to be read on a Rocketbook reader, a palm pilot, a laptop, or desktop. Later

THE GREAT TOILET PAPER FIRE

We need toilet paper. None of the stores have any. When you find some, you hoard it. Looks like I’m going to run out of it soon. On my last three orders the stores I use didn’t have any. A major grocery chain in Texas is offering free deliveries to the elderly during the pandemic. Seniors only have to pay a $10 tip to the driver. Except a charity is covering the tip, so it’s actually a totally free delivery for us. But, since my email is entered wrong in their system, I have to order by phone instead of online. I tell the volunteer order-taker, “I know they probably won’t have it but put down toilet paper. Any size—any kind is fine.” “Toilet paper is hard right now.” She stretches out some of her vowels with the soft back of the mouth sounds of a Texas drawl. “Did  ya  hear what happened to that eighteen-wheeler on its way to Houston?” “No, I don’t watch the news much right now.” “A diesel truck hauling toilet paper to Houston caught fire on the highway.” Her voice lifted in excitement

37 CRAZY THINGS PEOPLE TELL WRITERS

My take on writing professionally is yes, it’s a craft and anyone can learn it. However, in order for anyone to write at the level of a professional writer, they have to do the same things professional writers do. Most people who want to write books refuse to do those things. Two of the most important ones are learning the craft of writing and actually writing. To me, it stands to reason if you want to write a book, you’ll learn the craft of writing and then sit down and write or hire a ghostwriter. Apparently, that doesn’t seem reasonable to a lot of people. And that’s why nonwriters are always ready to teach writers about writing. After all, they know so much more about it than writers do. In fact, here are some weird and wacky things nonwriters have told me over the years: 1. I know advances can be low on the first three books, but once I write the fourth one, I’ll be set for life. How many writers do you personally know who seem set for life? And, unless you actually kno